Craft Australia Need Us!!

Craft Australia Defunded by the Australia Council

Craft Australia is challenging this decision and is also seeking our support.  

If Craft Australia is lost to the Australian craft and design sector it means there will be no national peak organisation representing the craft and design sector. There will be no visible national portal to represent the work of the many artists, designers, gallerists, curators, writers and researchers working in this field. Australia will be the only OECD country without a dedicated agency to advocate and promote the work of this area of practice. The many initiatives that Craft Australia has been advocating for to link craft and design with innovation and industry will be lost. Substantial digital content about this sector will be lost, creating a significant knowledge gap about our cultural traditions.  

In my experience as a Scottish Craft and Design Practitioner and Academic Researcher, Craft Australia is an international ambassador and champion for the craft sector. It demonstrates leadership and offers exemplars of best practice for us all to learn from and aspire to. I believe that loosing this voice is something the international craft community cannot afford.

How can you help:

Sign their petition - http://tiny.cc/6norj

Forward to petition to friends and interested parties  

V&A at Dundee Announces Queen Elizabeth II by Cecil Beaton: A Diamond Jubilee Celebration

 

Queen Elizabeth II with Prince Andrew (Cecil Beaton, 1960)

Dundee is to be the first location to host the V&A’s exhibition of portraits of Her Majesty The Queen by photographer Cecil Beaton, to celebrate The Queen’s Diamond Jubilee.

Presenting highlights of the V&A’s archive of Beaton’s royal photography, Queen Elizabeth II by Cecil Beaton: A Diamond Jubilee Celebration will depict The Queen in her roles as princess, monarch and mother.

The exhibition will run at The McManus: Dundee’s Art Gallery & Museum from Friday September 30th to Sunday January 8th.

It is the first in a series of partnership projects between The McManus and the V&A, as part of the pre-opening programme for the V&A at Dundee.

Cabinet Secretary for Culture and External Affairs Fiona Hyslop said, “Part of the £5 million of Government funding that I announced in January included support for the pre-opening programme of exhibitions that will begin with this outstanding selection of Cecil Beaton's royal photography.

“The V&A will be a stunning landmark building on Dundee's waterfront, and the funding is a reflection of the significance we attach to this project as a showcase for our creative industries and as a magnet for visitors, enhancing Scotland's reputation as a creative nation.

“I am delighted the programme is starting with such an appealing free exhibition that provides just a foretaste of the unparalleled shows that Scotland will enjoy in future from the V&A.”

Dundee City Council leisure, arts and communities convener Councillor Bob Duncan said, “I am delighted that this exhibition is coming to Dundee. It will act as an additional attraction to The McManus, which is a hugely popular destination in the city.

“People of Dundee and further afield are excited at the prospect of the V&A at Dundee, and this exhibition shows how the partnership is already delivering benefits.”

Lesley Knox, Chair of Design Dundee Ltd, the company delivering the V&A at Dundee, said, “We are looking forward to an exciting and varied range of exhibitions from the V&A over the next four years as we work towards opening our new building.”

The images in the exhibition depict The Queen and Royal Family, contrasting highly staged state occasions with intimate family moments.

The exhibition charts how the representation of the Royal Family has changed and also examines Beaton’s working methods, styles and approaches, revealing him as one of the 20th century’s masters of photography.

Celebrated photographer, designer and avid diarist, Beaton’s royal portraits were among the most widely published photographs of the 20th century. The exhibition explores Beaton’s long relationship with Queen Elizabeth II, who was a teenage princess when she first sat for Beaton in 1942. Over the next three decades, Beaton photographed The Queen on many significant  occasions including her Coronation Day.

The exhibition in Dundee will feature over 60 items, from wartime photographs of Princess Elizabeth with her family, to tender images of The Queen with her own young children and official portraits that convey the magnitude of her role as Britain’s monarch. It will show elegant and highly-staged photographs alongside informal moments of the royal family at home, interspersed with film and radio footage from the time.

The exhibition is arranged in five sections documenting important sittings and charting the shift in Beaton’s photographic style, from his early Rococo-inspired portraits to a starker approach in the 1960s. One section will showcase portraits of Beaton himself by his contemporaries.

An expanded exhibition will be hosted at the V&A in London from February 8th to April 22nd, 2012. The exhibition will then tour around the UK to Leeds City Museum, Norwich Castle Museum and Art Gallery, and Laing Art Gallery in Newcastle.

Notes to Editors

• The exhibition curator is Susanna Brown, Curator of Photographs at the V&A
• The V&A has the oldest museum photography collection in the world and holds the UK’s national collection of photography. The Cecil Beaton collection of royal portraits was bequeathed to the V&A in 1987. It includes 18,000 original prints, transparencies and negatives and 45 volumes of press cuttings.

Dundee exhibition - dates and venue
Friday September 30th to Sunday January 8th
The McManus: Dundee’s Art Gallery & Museum

Admission Free. Opening times: Mon to Sat 10am - 5pm, Sun 12.30 - 4.30pm.
Thursday late opening until 8pm - specially for the Beaton exhibition run.

Exhibition organised by the V&A, London in partnership with the V&A at Dundee.
www.themcmanus-dundee.gov.uk

V&A at Dundee
The V&A at Dundee is being delivered by Design Dundee Ltd, a ground-breaking partnership between the Victoria and Albert Museum - the world’s greatest museum of art and design - and Dundee City Council, the Universities of Dundee and Abertay Dundee, and Scottish Enterprise.

Earlier this year the Scottish Government announced it would provide total capital funding of £3.5 million in 2010/11 and 2011/12 towards the V&A project, with total revenue funding (to cover project running costs) of £1.28 million allocated in 2010/11 and 2011/12.  The revenue funding supports staffing, marketing and fundraising for the project, and the development of what goes on inside the building - including the exhibitions that will run before the building is completed.

www.VandAatDundee.com

Exhibition Publication
V&A Publishing has produced a hardback book to accompany the exhibition authored by Susanna Brown, with contributions from Sir Roy Strong and Mario Testino. For further press information about the book, contact Julie Chan on 020 7942 2701 or email j.chan@vam.ac.uk (not for publication).

MS: the big knit

A lot of things happened to day and one of these, was an unexpected surprise from RCA and DJCAD design graduate Alison Thompson from 'Somehow Related'. She got in touch to tell me about her innovative new work. So as with all good news stories, I'm sharing it with you - enjoy! And if you're in London between 7-12 June, why not pop along to see it for yourself?

Multiple Sclerosis: the big knit was a collaborative knitting science project to promote awareness and understanding of the disease Multiple Sclerosis (MS) by creating a woolly art installation. The installation consists of three tableaux each highlighting a different aspect of MS: the nature of the disease, the role of genetics and the impact of our environment on the disease.

Knitters from around the United Kingdom were invited to take part in the project, through our website, by knitting elements of the tableaux and sending then in to be included in the final installation. In addition to this open invitation we ran a series of events with knitting and community groups in the Cheltenham area to provide an opportunity for knitters to engage with scientists and discuss MS. Over 70 knitters contributed to the creation of the tableaux, between them knitting over 300 items including brain cells, DNA helices and sunshines.

This installation has been created for The Times Cheltenham Science Festival 2011 to support the festival talk ‘MS’ held on Sunday 12 June. During the Festival it will be the centrepiece of a drop-in knitting corner where visitors to the festival could knit their own piece of science, while also acting as the backdrop of presentations by experts in the field of MS research.

The project engages people with science through the act of creating and via the social nature of knitting. The MS: the big knit art installation will be exhibited at venues around the UK and additional knitting workshops are planned for the future.

DNA and Multiple sclerosis. 

Each human cell contains approximately 2 m of DNA. In this tableau we’re exploring how all the DNA is packaged so that it fits inside the cell without getting tangled. Secondly we’ve shown some of the mechanisms that are used to control the reading of DNA to make protein, (a process known as transcription) that are thought to be important in MS. These are epigenetic modifications and transcription factors.

Multiple sclerosis, the disease. 

This tableau shows a section of brain, revealing the changes that occur during MS. There is an area of normal tissue, an area of inflammation and demyelination, and finally the scar that is left once all the myelin is removed.

Vitamin D and Multiple sclerosis. 

 

Vitamin D is very complicated, so this tableau represents sources of vitamin D. We’ve got the sun, vitamin D supplements, and two food groups that contain vitamin D: eggs and fish.

Please visit the project website (www.immunology.org/msthebigknit) for details of these events. Contact: Hannah Hope - project co-ordinator.  H.Hope@immunology.org
Alison Thomson – Tableaux designer. alison.thomson@network.rca.ac.uk http://www.somehowrelated.co.uk

Endless End EAD09

Earlier this month I was at the 9th International European Academy of Design conference, at the Universidade do Porto, Portugal. The overarching concept for the event was ‘Endless End’ as, “[t]here is a sense of vertigo permeating contemporary culture as a whole, and design in particular. So much so, that we often find ourselves wondering if design as we have known it still matters.  Design seems to have lost its universe of focus, branching exponentially into a multitude of concerns and activities formerly situated well beyond its scope. Likewise, design seems to be the new interest of so many professionals situated outside its area of expertise…”

6 themes ran through the conference –

Locality - the role of design in specific social and cultural environments,
Liquidity - design´s redefined and expanding territories
Nomadism - design actively searching for new areas and tools of expertise

Involvement - design as a catalyst for change and progress
Vertigo - 
envisioning what´s ahead, calibrating past inheritances
Education - how can design be taught in era of multiplicity and open creativity?

They were not ‘closed’ themes rather they are open-ended, open to transformation.

It was under the theme of ‘Liquidity’ that I presented the 5-year project ‘Past, Present and Future Craft Practice’, introducing the team and their research, exposing our craft studies through jewellery, metalwork, textiles, interactive media design and film. I talked about the shift in how we communicate craft, how we value craft and its practitioners and how we invest in its future in a collegiate manner.

Of interest to the audience was the new visualization method devised as part of the study whereby I looked to investigate effective new ways of communicating craft. Understanding craft practice as a life-world rather than an object or product of making was the direction. Capturing the layers of activity in a person’s life that have affected their thinking - for example, teaching, travelling, writing, making, exhibiting, hobbies/past-times, people – and mapping these over a ten-year period, the visualization of craft practice offered insight into the circumstances and environments that support and/or hinder creative development.

Snapshot of 8 layers of activity within a 5-year timeframe of practitioner 1

 

Snapshot of 5 layers of activity within a 4 (out of a 10) year timeframe of practitioner 2 - where people, teaching, designed objects, exhibitions and writing are key to craft practice

In addition, the craft as mindful inquiry study suggests an opportunity to re think how we categorise craft, positioning a classification system that doesn’t heavily rely on the issue of materiality but focuses on its cultural significance, thereby offering an approach to knowledge exchange that transcends subject and discipline specialisms – for example, positioning craft as a social, political and/or meditative product.

Questions after the presentation are always critical to the development of a researcher’s ideas and theories. The one that has lingered was from Professor Mike Press who asked, ‘what is the significance of your method and methodology to other disciplines, including design?” It seems an obvious question to ask, but one that no-one has, til now. My response noted 'progressiveness' as the generic issue - how a person, not just crafts people, can measure and improve their performance, levels of creativity and innovation. However, there remained a ‘niggle’. Upon further reflection, I realise that the various research outputs we have successfully delivered (for example the book, website and research papers) give some insight, but the ‘significance’ has yet to be discussed, directly…So, I seem to have found a next step for my research and understanding of its impact!

A NATIONAL CELEBRATION OF CRAFT IN SCOTLAND

Craft Festival Scotland 2011 turns the spotlight onto craft in Scotland during the month of May with more than 40 exceptional exhibitions, workshops and open studio events happening across the country.

The national festival is an opportunity to enjoy the diversity of craft in Scotland and create an inspirational memory from visiting artists’ studios in Fife, Dumfries & Galloway and West Kilbride. It offers the chance to see and buy quality work by leading international artists working in glass, silver, textiles, wood and metal. It also presents fun ways to learn about making and, stimulating interactions with beautiful objects.

The festival, now in its second year, aims to showcase the imagination and inventiveness of craft in Scotland. The 2011 programme includes a unique exhibition of glassworks inspired by Perth museum’s reserve collections.  It is a ground-breaking collaboration with the Scottish Glass Society and a number of contemporary glass artists have produced new creations for display alongside the original artefacts. Other exhibitions include solo shows by artist and maker Lizzie Farey and her extraordinary work with Scottish willow, Alison McConachie, glass, Sara Keith, textiles, Patricia Niemann, jewellery, Jeanette Sendler, textiles, Annica Sandström and David Kaplan, glass, mixed shows at the Collins Gallery, Gallery Q and Roger Billcliffe Gallery, and work by the latest graduates from Duncan of Jordanstone College of Art & Design University of Dundee, Edinburgh College of Art and Gray’s School of Art, Robert Gordon University.

There are fascinating objects and experiences to be discovered across the country, such as Ballet to Remember by Maria Militsi in Inverness Art Gallery, which is on loan from the Crafts Council Collection and featured in the BBC’s popular A History of the World in 100 Objects. 

Festival attractions include:

·      A Passion for Glass at National Museum of Scotland is a dazzling selection of 140 objects by over 100 glassmakers spanning more than four decades, from the 1960s up to 2009.  The works are part of a collection of modern glass recently gifted to National Museums Scotland by Alan J Poole and the late Dan Klein, world authorities in the field of 20th century studio glass.  A number of objects will be used to explain many of the different processes involved in studio glass. 20 May - 11 Sept 2011

·      Turned & Twisted at Inverness Art Gallery is an exhibition of international works from the Craft Council Collection where thoughts, ideas and materials, have been twisted and turned to create amazing, unusual, unsettling, surprising, amusing and unexpected objects.  The choice of work was influenced by the use of techniques and materials by four Highland makers – Jennifer Cantwell, textiles, Caroline Dear, fibre, Patricia Niemann, jewellery, and Nick Ross, product design – who will show new experimental work in a series of solo exhibitions at the same venue. Turned & Twisted: 30 April – 2 July 2011. Patricia Niemann - Making Progress Spotlight Exhibition 30 April - 28 May 2011

·      Dundee Degree Show 2011: 21 - 29 May 2011;
Edinburgh College of Art Fashion Shows: 4 - 6 May 2011;
Intervention at Provost Skene’s House by third year students, 3D Design, Gray’s School of Art: 7 May – 30 June 2011

·      Metalworks! at Aberdeen Art Gallery showcases the versatility of metalworking with historic silver and modern metalwork from their collection and the Goldsmiths’ Company Collection featuring leading British makers such as Gerald Benney, Junko Mori and Chris Knight. 19 March 2011 – 3 March 2012 Free

·      Open Studio Events - Angus Open Studios: 26 - 30 May 2011, Spring Fling: 28 - 30 May 2011, Open Studios North Fife: 6-8 May 2011, West Kilbride - Craft Town Scotland Studios: May

·      Trove, an exhibition by the Scottish Glass Society, in partnership with Perth Museum and Art Gallery, shows new artworks by 25 glass artists that reveal the hidden treasures of the museums reserve collection.  28 March - 31 December 2011

Craft Festival Scotland is a new national initiative led by Duncan of Jordanstone College of Art & Design, University of Dundee and in 2011, it is supported by HI-Arts Craft Development in partnership with Highland Council Exhibitions Unit and RIO (Really Interesting Objects).

Full festival programme at:                  www.dundee.ac.uk/djcad/cfs2011/events

For updates on new events in May:    www.facebook.com/CraftFestivalScotland

                                                            http://twitter.com/craftfestscot

DIRECTOR APPOINTED TO `V&A AT DUNDEE’ PROJECT

 Mr Philip Long has been appointed as the Director of the V&A at Dundee. Mr Long is currently Senior Curator of the Scottish National Gallery of Modern Art and leads the National Galleries of Scotland's Artist Rooms project. As Director of the V&A at Dundee he will lead the project to establish an international centre for design on the banks of the river Tay.

“I am delighted that we have been able to appoint Philip Long as Director for the V&A at Dundee,” said Lesley Knox, Chair of Design Dundee Ltd, the company delivering the V&A at Dundee.

“This is a very significant moment for the project. Philip Long has an outstanding background in culture and the arts, particularly in relation to museums and galleries, and he is the ideal person to take our project forward.” Sir Mark Jones, Director of the Victoria and Albert Museum, said, “We are delighted that Philip Long has agreed to become Director of the V&A at Dundee. His great knowledge of and enthusiasm for twentieth century and contemporary design, and his proven talent for communicating contemporary art to a wide public are just what is needed for this exciting project.”

Philip Long said, “It is an honour to have been appointed to lead the V&A at Dundee to reality. The design for the new museum is superb, and the idea for the project is inspirational. V&A at Dundee will be international in ambition, and will rightly celebrate the vital part Scotland has played in design history, as well as being a focus for design-led innovation and opportunity in our country.”

Philip Long has been Senior Curator of the Scottish National Gallery of Modern Art since 1998. Since 2008 he has been responsible for leading the National Galleries of Scotland’s Artist Rooms project, which in collaboration with Tate brings exhibitions of international contemporary art to museums and galleries across the UK. As an acknowledged expert in Scottish art and design, Philip Long has organised exhibitions and written highly praised publications on William Gillies, Anne Redpath, the Scottish Colourists, Charles Rennie Mackintosh, and on the architect Basil Spence. From 2003-10 he served on the Scottish Arts Lottery Committee and in 2007 was invited to curate Scotland’s national representation at the Venice Biennale. Most recently, he worked with the artist Antony Gormley to develop a major public artwork installed across Edinburgh.

The V&A at Dundee is being delivered by Design Dundee Ltd, a ground-breaking partnership between the Victoria and Albert Museum - the world’s greatest museum of art and design - and Dundee City Council, the Universities of Dundee and Abertay Dundee, and Scottish Enterprise.

Design Dundee Ltd is aiming to create a landmark building, which will be sited at Craig Harbour right on the banks of the River Tay. The site is being made available through the Dundee Central Waterfront Partnership, the joint venture between Dundee City Council and Scottish Enterprise which is revitalising the prime area of land linking the city centre with the River Tay. An international design competition for the V&A at Dundee building was won by the Japanese practice Kengo Kuma & Associates. The building will create a world-class public space that celebrates the creative culture of design, the evolution of design, its role in our lives, its economic impact and its commercial relevance.

www.VandAatDundee.com 

London on the Weekend - yohji yamamoto and the cult of beauty

For the past year I have been part of the Product Team for the V&A at Dundee project. As you would hope it's a dynamic project with many interesting facets. This weekend, in my mind, was a particularly important milestone as the touring exhibition of the architectural designs for the V&A at Dundee building, is displayed in V&A South Kensington in London (until 15 May, 2011). Professor Paul Thompson, Rector of Royal College of Art and Lesley Knox, Chairman of the Alliance Trust and Dundee Design Ltd (the charitable organisation established to make V&A at Dundee happen) spoke of the significance of the initiative and the quality of Kengo Kuma's architectural design. Professor Thompson gave insight into the exhibitions that would be travelling to Scotland in the pre-opening (2011-2014) and post-opening (2015-17) periods and, Lesley Knox looked to the future where Dundee would be known for the 3 D's - Design, Digital and Discovery.

For me the excitement of V&A at Dundee was also to be found in the atmosphere of V&A London on Friday evening. It was filled with an array of positive noise and energy - the place was simply alive with people socialising! It was a stark statement and one couldn't help but be impressed by the achievements of the V&A who have transformed the concept of a museum and changed people's perceptions of what a museum is in the 21st century. Who knew ten years ago that we'd be saying 'Let's have a night out at the museum on Friday!'

As well as the architectural design display, the delights of the V&A included a spectacular retrospective of fashion designer Yohji Yamamoto (- over 80 garments form the last 30 years). The breadth and depth of Yamamoto's portfolio is jaw dropping. Being up close and personal with design of such deep integrity was inspirational. His attention to detail and his approach to playfulness is really special.

A sensational history lesson via The Cult of Beauty exhibition was also enjoyed. Indeed, I don't recall the last time I had such a meaningful conversation with colour, be it subtle, sympathetic, bold or mischievous. And whether you love or loathe the aesthetic movement 1860-1900 (e.g. the work of Lord Leighton, Albert Moore, John Everett Millais, John Ruskin, Dante Gabriel Rosetti) it has a lot to teach us, still.

Two different design commentaries, both utterly inspirational.